English thesaurus is mainly derived from The Integral Dictionary (TID). Music can thus create identity within a group despite its members’ heterogeneity. None of the reviewed literature, however, includes any discussion of how to gain more general knowledge from particular cases. However, this is not a simple process of transmission whereby members passively absorb a collective identity, but it is rather a process of negotiation in which many sources are used to the shape a collective identity. A study of the role of music in ethnic‐based associations financed by the Swedish Foundation for Humanities and Social Sciences. However, none of these articles run contrary to the findings; indeed they rather support and deepen them.22 Context: Ramnarine (2007b) shows how diasporic groups relate to views on diasporic relativism and diasporic essentialism, stressing that diaspora is not only about understanding the past but also about shaping the future; Douglas (2013) shows how an ethnic identity was maintained and performed in a multi‐ethnic setting through the use of distinct musical traditions. Another theme, related to both recognition and recovery, concerns music's role in remembrance and identity‐maintenance, as well as the shaping of emotional ties within a community. Memory: Sheleman (2006) discusses music as a site of memory, where historical narratives are shaped, something that is also stressed by Cidra (2015); Kyker (2013) investigates how transnational identities are produced and negotiated through musical listening, with songs making it possible for listeners to symbolically relocate themselves within the social setting of a remembered home. How do they navigate the many places, whether imagined or actual, that comprise their histories and their identities? The English word games are: An overview of the notion of diaspora, both in general and as it relates to music. At the same time, however, it is also a condition of placefulness: the lack of place being met by an almost preoccupation with it—if not by those in diaspora themselves, then by those who observe and study the diasporic condition. In the reviewed literature, “diasporic groups” are a common theme. Hungarian Roma and musical talent: Minority group members’ experiences of an apparently positive stereotype, Immigrant identity and cultivation of homesickness, Local community of Indian Muslims musicians/UK, Local knowledge, music and ethnic identity, Sounds, instruments and ethnic identities, Popular culture, subaltern nationalism and hybridity, Civil rights movement, white power movement/USA and Sweden, Cultural politics, salsa and working‐class community, Public parades, rebuilding communities and local life, Cultural identities, music genres and marginalisation, Public musical performance as means to constitute community, Song and dance role for 2nd generation immigrants, Refugee community events and celebrations/UK, Ethic popular culture and political expression, Minority culture and negotiation national inclusion, Gypsy music's position in European culture, Cultural flow from Latino culture to Japan, Diasporic hybridisation and cultural memory, Displaces culture as resource for spatial belonging, music AND ethnic* AND community (111 articles found), music AND community AND diaspora (33 articles), music AND multicultur* AND diaspora (6 articles), music AND integrat* AND ethnic* (57 articles found), music AND diaspora AND ethnic* (50 articles found). Class is especially emphasised in the discussion on ethnicity and music, while age is addressed in some studies, especially in the context of generational change. Slobin, Mark. Irrespective of the political programme involved, music works to make a specific group visible in the wider society (Eyerman 2002; Klein 2005; Macias 2004; Maya Knauer 2008; Murthy 2009). People who have spread or been dispersed from their homeland. Ethnically coded sub‐cultures may question their assumed identities and transform by transmitting different cultural elements in their music practices. You can also try the grid of 16 letters. Bailey and Collyer (2006) find a difference between diasporic communities created by refugee migration and those created by labour migration. Focusing on the social position of a diasporic community, they analyse the role of class and ethnic identity in the construction of marginalisation and stigmatisation. In the fourth part, a general characterisation of the material is given. However, while some may view this ubiquity as jeopardizing the usefulness of the concept, what has remained more or less consistent—and what has, in fact, illuminated the very diversity inherent in diaspora—are the lines of inquiry into diaspora that have been pursued by scholars across the humanities and social sciences. More than 50 per cent of the substantive articles appearing in these journals are selected for coverage. Trinidadian folk calypso is found throughout the area, as are African-Caribbean religious music styles like the Shango music of Trinidad. Some of the Judean Jews chose to flee to Egypt’s Nile Delta. Subcultural Sounds: Micromusics of the West. Edited by Thomas Turino and James Lea, 3–20. Another characteristic is that the vast majority of the studies concerns diasporic communities in Europe and North America. E‐mail: rolf.lidskog@oru.se. For studies making use of more intensive methods of data analysis, methodological strategies exist (such as re‐contextualisation and abstraction) for making results transferable to other contexts or for discovering fundamental mechanisms behind specific empirical results (Kvale 2007; Sayer 2010). The fifth part conducts a deeper analysis of the material, in particular by identifying four thematic areas in which the reviewed publications are centred. Nevertheless, steel drums spread across the Caribbean, and are now an entrenched part of the culture of Trinidad and Tobago.[2]. The Jewish and Armenian experiences often serve as paradigmatic examples. , resettling, population movement, transhumance, moving, moving abroad, emigration, expatriation, posting, exodus, departure, hegira, defection, trek, diaspora. The third part presents the empirical study, the research review, and the methodological and empirical implications of its design. According to the U.S. Census Bureau, nearly 46.5 million people of the African diaspora lived in the United States in 2017. Listening to and performing music facilitates the articulation, shaping and acknowledgement of a particular cultural or ethnic identity (Boura 2006; Chapman 2005; Erol 2012; Grams 2013; Gross et al. ○ Lettris A number of studies have examined this, highlighting the importance of context (the diasporic situation), space, collective memory and politics. Those belonging to the diaspora experienced a tension between physically being in one place (where you live and work) but mentally being somewhere else (which you regularly think about and long for). Identity formation always takes place in particular contexts, and diaspora is a particular context where an immigrant minority's origin (real or mythical) is privileged (Anthias 2001). Global diffusion of lifestyles and values, transnational migration, de‐territorialisation of identities, and a changed view of citizenship, where states (partly) welcome pluralism and multiculturalism, have resulted in a cultural hybridity where identities are not fixed entities but negotiated and dynamic constructs (Kokot et al. 2004). Or something like that. Small coins the term “musicking” to capture this conceptual meaning: all the meaning‐making practices that contribute to a musical performance. The second part elaborates a little further on the topic of the study by discussing music's role in identity formation more generally, as well as the conceptual meaning of diaspora. Thus, as stressed above, there is reason to believe that this result is partly caused by restricting the study to review articles published in the English language. Give contextual explanation and translation from your sites ! Cast into exile, the Jewish inhabitants were scattered throughout the Middle East. A number of key words were used, with “music” as a first‐order key word. Furthermore, music ensembles that have proliferated globally without the presence of a diaspora community have widened. English Encyclopedia is licensed by Wikipedia (GNU).
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