Lorde Lyrics - TEAM - We live in cities you'll never see on screen. Whether she's singing about her schoolyard peers or the world's most famous pop stars (who, as she admits on "Tennis Court", have just become her new peers) Lorde achieves a tricky balancing act of exposing irony and even hypocrisy without coming off as preachy or moralistic, simply because—thanks to Pure Heroine's constant use of the royal "we"—she's usually implicating herself in the very contradictions she's exposing. Copyright © 2020 Apple Inc. All rights reserved. But "Ribs" is the best song that this very promising songwriter has written so far because—even at the risk of seeming uncool— it gradually allows the walls to crumble. These tracks all feel like they were written by a very precocious teenager, and that’s a big part of their charm. Now that she's a wizened 16, Lorde, who wrote all the lyrics on Pure Heroine and co-wrote the music, has fashioned herself a correspondent on the front lines of elegantly wasted post-digital youth culture and working-class suburban boredom. It’s the best Morrissey song he never wrote. Listen to Pure Heroine by Lorde on VIBBIDI - Browse every single Songs, Tracklists, Music Videos, Remixes, Fan Covers, Live Performances, Tours, Playlists, Lyrics, Narrative Stories, News & more for free! And that’s a crucial subtlety: "Royals" doesn't critique hip-hop culture so much as express a disconnect that many of the people who love it (Lorde included: "I've always listened to a lot of rap") feel when listening to songs about luxury culture. This album might not be that danceable, but when you dig deeper, Pure Heroine is a lyrical treasure trove. What’s fueling Pure Heroine is a tension between the tweet and the truth, the cumulative effect of the little digital fictions we craft for ourselves daily. Her earlier The Love Club EP primed audiences for what they’d be hearing, but nothing could prepare one for the actual excitement of her debut album’s best cuts. She gets so caught up in the feeling that she lets herself blurt something truly vulnerable: "I've never felt more alone/ It feels so scary, getting old." Lorde’s music is quietly wise to a particular modern irony: Beneath every #DGAF there’s a person who secretly gives a fuck about something, and behind every anti-pop song there’s a singer who—just like everybody else—knows what it’s like to feel happy, free, confused, and lonely at the same time. Shut my eyes to the song that plays Sometimes this has a hot, sweet taste (shut my eyes to the song that plays) [Chorus 2:] The men up on the news They try to tell us all that we will lose But it's so easy in this blue Where everything is good [Post-Chorus:] And I'll never go home again (place the call, feel it start) "Glory and Gore", too, rehashes the same bloody/regal/teen imagery, but its greater crime is the way Lorde overstuffs the verses with so many words that it weighs down the melody. That's the message you get from the defiantly low-concept video for her single "Tennis Court", in which the 16 year-old New Zealand singer-songwriter (real name: Ella Yelich-O'Connor) stares right at you—her taunting, onyx pupils burning a hole through the computer screen—for a hypnotic and somewhat uncomfortable three and a half minutes. Not very pretty, but we sure know how to run free. "Ribs" is a song by New Zealand singer Lorde, from her debut studio album Pure Heroine (2013). Run The Jewels] - Single. Pitchfork is the most trusted voice in music. Run The Jewels] - Single. "We're so happy even when we're smiling out of fear,” she admits, but at least “it looks alright in the pictures.". Some of that has to do with its genre-agnostic blend of influences (in her live show Lorde has been covering both Kanye West and the Replacements, and her music is being marketed to a generation of people who in no way find that weird), but it’s mostly a comment on a certain kind of sensibility of self-presentation in the characters it deftly depicts. Pure Heroine is a decidedly post-internet album. Still, a lot of its best production ideas and lyrical motifs repeat in such a way that it sometimes feels like you’re listening to 10 versions of the same song. What’s fueling Pure Heroine is a tension between the tweet and the truth, the cumulative effect of the little digital fictions we craft for ourselves daily. #lorde #team Lorde Quotes Lorde Lyrics Song Quotes Music Lyrics Music Is My Escape Music Is Life Lorde Team Lorde Pure Heroine Play That Funky Music 2. This is sharp, inspired pop music that knows how much fun it can be to play up to type and then spin things on their heads for a new conclusion. The message is clear: Lorde has introduced herself to the world as someone who gives very few fucks. Homemade Dynamite (Remix) [feat. "Royals" walks the line between rebelling against and reveling in the trappings of power, luxury, and excess of contemporary pop. Her songs capture the drama and debauched regality of being a teenager: their subjects include online gossip, empty bottles, queen bees, and young people who already feel old. Lorde, Kimbra, Brooke Fraser, Gin Wigmore, Broods, Daniel Bedingfield, The Naked and Famous, Sam McCarty, Sahara Adams, Jemaine Clement, Savage, Jon Toogood, Jason Kerrison, Dave Dobbyn, James Reid, Matiu Walters, Dave Baxter, Hollie Smith, Jupiter Project, Boh Runga, K-ONE, Lizzie Marvelly, Carley Binding, Jesse Griffen, Brooke Howard-Smith, Tom Furniss, Joseph Moore, PNC, Peter Urlich & Julia Deans) - Single, Supercut (El-P Remix) [feat. Lorde – Tennis Court Lyrics -- As she starts the album pondering her newfound fame, Lorde calls for a moment to show people "how little we care", a different kind of typical teen rebellion. Twice. The other day she spoke too truthfully in an interview and accidentally insulted Taylor Swift; Katy Perry asked her to tour with her and—politely but firmly—she said no. "It feels so crazy, getting old," she sighs at the beginning, in a smoky pantomime of maturity and detachment—sort of like a sepia-toned Instagram filter applied to her voice. On her debut album, 16 year-old New Zealand singer-songwriter Ella Yelich-O'Connor, aka Lorde, has fashioned herself as a correspondent on the front lines of elegantly wasted post-digital youth culture and working-class suburban boredom. Current single "Team" has a memorable chorus, but most of its lyrics ("I'm kinda over being told to throw my hands up in the air"; "We live in cities you never see on screen/ Not very pretty but we sure know how to run things") feel like scrapped lines from the "Royals" session. Jun 20, 2018 - Explore Queen Of Losers's board "Lorde - Pure Heroine" on Pinterest. "I'm kinda older than I was when I rebelled without a care," she sings with a languid sigh on the bleacher-stomping single "Team". Lorde—captured the top of the pop charts with the smart and wise-beyond-her-years single “Royals,” where she trashes modern pop and hip-hop’s obsession with materialism in favor of a world of love, friendship, and ideas. Lorde says she wrote it thinking of how she and her friends would listen to A$AP Rocky rapping about couture while they rummaged through a particular friends' well-stocked kitchen, too broke (or too lazy) to spend money on dinner. In the current pop firmament, Lorde is a black hole. But every song's like gold teeth, Grey Goose, trippin' in the bathroom Blood stains, ball gowns, trashin' the hotel room We don't care, we're driving Cadillacs in our dreams But everybody's like Cristal, Maybach, diamonds on your timepiece Jet planes, islands, tigers on a gold leash We don't care, we aren't caught up in your love affair Lorde's voice occasionally takes the form of a wide-eyed, Feist-y coo, but much more often it's a low, clenched growl; like everything else about her, it has an air of "wise beyond her years." "It’s a new art form, showing people how little we care," she boasts on "Tennis Court".
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