However, despite Paul being out of the picture, there are two new obstacles standing in the way of Abel and Marianne’s happiness. A West Wing Special to Benefit When We All Vote. This entire opening sequence has the pace of a classic screwball comedy and the painful awkwardness of early Woody Allen at his best and perfectly sets up the audience for the rest of the pleasures that A Faithful Man has to offer. I love the idea behind both of these films, but in both cases, the final product left me wanting more. Please enter your birth date to watch this video: You are not allowed to view this material at this time. The best word to describe A Faithful Man is “trivial.” Louis Garrel, Laetitia Casta, and Lily-Rose Depp all perform admirably in their roles — especially Depp who continues to make interesting choices as a young actress — but their material never passes the age-old question of movie-making: why does this movie exist? A Faithful Man always manages to stay intriguing, if simply by way of making the viewer think, “um, what exactly is going on here?” Though it is a self-referential movie, it never winks at the camera, leaving the viewer in a state of constant confusion. Marianne informs Abel of this life-changing development as he is on his way out for the day, piling disappointment on top of disappointment as though she were merely adding items to a grocery list. Meeting at … © 2020 CBS Interactive Inc. All rights reserved. Nine years after she left him for his best friend, journalist Abel (Louis Garrel) gets back together with his recently widowed old flame Marianne (Laetitia Casta). One is Marianne and Paul’s young son, Joseph (Joseph Engel), a murder-mystery nut who firmly believes that his mother poisoned his father. When not watching, making or writing about films, she can usually be found obsessing over soccer on Twitter. Meeting at the funeral, Abel is immediately smitten again with his former lover and sets out to reignite their old romance – indeed, he doesn’t even wait for Paul’s body to grow cold in the ground. It’s never a chore to get through at only 75 minutes, but I was consistently frustrated by the film, clamoring for more substance that never came. Join a community of like-minded readers who are passionate about cinema - get access to our private members Network, give back to independent filmmakers, and more. NO TIME TO DIE Countdown: FOR YOUR EYES ONLY Revisited, A Beginner’s Guide to National Cinema Theory, Beginner’s Guide: George Miller, Writer & Director, The Beginner’s Guide: Josh & Benny Safdie, Writers & Directors, The Joker’s Smile, Part 3: The Final Joke (For Now…), The Joker’s Smile, Part 1: The 20th Century’s Most Adaptable Character, Louis Le Prince: The Unsolved Disappearance Of The Father Of Cinema, Critiquing The Critic: The Evolution & Function Of Film Criticism, Anarchic Cinema: Jean Vigo’s ZERO FOR CONDUCT, Anarchic Cinema: V-Cinema & Takashi Miike, The History of Hong Kong Action Cinema Pt.

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