what happens to nick in the handmaid's tale season 2, episode 11

That's why it takes so long for a car to come back. He thinks she’s a shrew. He could be hurt, if not dead. At this point, the suspense in The Handmaid’s Tale is no longer when or how Offred will escape Gilead. It is difficult to believe that June would let Holly go so easily. She heads outside to shovel snow, and clear the pathway, only to slip, and rest flat on her back. order back issues and use the historic Daily Express intermittently and from behind a curtain inside the house. Then Serena barks, remarkably, “You raped her yesterday,” with June listening right above them. Fred suggests they leave; Serena commands, I’m not going anywhere without my baby.” They keep screaming for “Offred” and Nick but to no avail. She yelps in pain, gasping and groaning in between, trying to calm herself. We want the characters that we care about to escape, but letting too many escape too early in the series arc would leave the viewer with too few major character POVs based in Gilead, plus Elisabeth Moss signed a long-term contract. Would it be better to hide from them and let them suffer the consequences of losing a pregnant Handmaid? And there's weaponry. At first, in “Holly,” she runs — toward a locked outhouse, then toward a locked garage, then by a growling black wolf, who lets her speed along without any trouble. Having realised that June and Nick were missing, Fred (Joseph Fiennes) and Serena Joy Waterford (Yvonne Strahovski) burst into the house in search of their Handmaid and her then unborn baby. Could she do it? She reaches the bedroom, where June took the jacket, and then, in the mirror where June was inspecting herself, sees a handmaid robe in the bathroom. It was a moment of everything that can go wrong did go wrong. But then those Guardians he followed out didn't make it so easy. On July 26, Hulu confirmed via Twitter that Season 4 of The Handmaid's Tale is happening. She names the child Holly, after her own mom. June finds a pair of car keys, and then, getting into the aforementioned garage, an actual car — with a working engine, a radio, and everything. And the look that crosses Moss’s features when she finally does shoot the gun, some mix of determination and satisfaction, suggests a feeling of liberation and personal agency that goes well beyond the act of sending a wolf scurrying into the woods. In terms of plot, that’s about it, aside from the brief flashbacks, most of which show June surrounded by Luke, Moira and Grandma Holly during the final months of her first pregnancy. Can we just pause for a second to appreciate Elisabeth Moss? The shot is juxtaposed with another flashback, this one of June getting dressed for a party with Luke, while pregnant with Hannah. Express. © 2020 Billboard. Related: Get the lowdown on the Emmys with EW’s CHASING EMMY podcast: this link is to an external site that may or may not meet accessibility guidelines. It’s raw and full of rage, yet another indication of Yvonne Strahovski’s prowess in this role. It remains to be seen what happens to him next episode. It’s what contrivances will be found to keep her there. “Stars and stripes forever, baby.”) Back in the mansion, Offred is gathering supplies when the Commander and Serena — who is furious at her husband — barge in looking for her. It’s when she looks back on her most intimately, and it’s thus fitting that she’d grant her this legacy. In the closing minutes of “The Word”, the Season 2 finale of Hulu’s The Handmaid’s Tale, protagonist June/Offred makes a baffling decision when she hands her infant daughter Holly over to fellow handmaid Emily before closing the door to the escape van and walking away, with remorse and sorrow on her face, then defiance. And later, June in the present getting closer to giving birth is placed against images of her first childbirth experience — with Luke and Moira surrounding her in the hospital, playing music, encouraging. For the entire hour, fans kept waiting for Nick to pull back up and drive off with June and take her to the hospital to give birth properly. What follows is the scene between Serena and Fred that we’d been steadily building to all season. After the fake contractions from two episodes ago, June went into labour for real this time. This is a house with a car, there's clothing, there's an escape out of this hellhole of a country if she can only get the garage door open. She is, for example, strong enough to deliver her own baby by firelight. The child is being sent on a five-hour-plus van trip (check Google Maps for the drive time from Boston to the Canadian border) to a place where nobody has any biological or adoptive tie to it, on the impulsive trust that Emily will take responsibility for her. She lets out a sustained scream, then another one. The episode was one of the more frustrating ones this season as hopes were raised and dashed repeatedly. Serena decides to snoop around anyway, confident her handmaid is still on the premises. The episode’s first image is a replica of the previous episode’s final image: June left alone, abandoned in the snow, with a baby soon on the way. Prior to the birth, the episode began with June still alone in the abandoned house where she was reunited with Hannah in the previous instalment. It’s a testament not only to Moss (who might have just sewn up another Emmy) but also to the episode’s director, Daina Reid. Want an ad-free experience?Subscribe to Independent Premium. Warning: Spoilers for The Handmaid's Tale follow. The Handmaid's Tale recap: season 2, episode 11 – gruelling but not grim An episode that Elisabeth Moss carries almost single-handedly sees June deliver her baby in a … Nick (Max Minghella) was apprehended and dragged away by Guardians and she was left alone, nine months pregnant in the middle of nowhere. © Copyright 2020 Meredith Corporation. “Holly” isn’t a denouement, exactly, but it wraps up one of the season’s crucial arcs in quiet, tense fashion. This birth was contrasted, through flashbacks, with the birth of her first child Hannah (Jordana Blake) where she was surrounded by loved ones and given the best care. It’s clear she’s struggling at this point. Offred hid, because wouldn't you? There must be more to her story: Why did such a smart, strong woman sacrifice her power, not to mention every other woman’s, to become a mother? June kisses and cradles her baby, smiling. She’s about to have the baby. June did the responsible, defeating thing: She made her way outside, locked eyes with the wolf wandering the woods one last time — the lone witness to her second attempt, and failed, escape — and shot her gun in the air. See today's front and back pages, download the newspaper, I just hope Serena Joy is so overwhelmed to get her now-born baby, Nick and Offred escape any sort of punishment. The episode ended with June and her newborn baby cuddling in the dark. That skeletal plot goes something like this: Left alone after Nick is captured, Offred finds herself staring down a wolf. But you only have to observe Moss’s body language to understand how important “Holly” is to Offred’s story. Serena and Fred abruptly leave, since they shouldn’t be there either, and June sets the gun down. What will the consequences be? Seeing her chance, the protagonist points the gun at the two of them, her emotions etched across her face. Will she manage to find an ally before she goes into labour? Season 2, Episode 11: ‘Holly’ Can we just pause for a second to appreciate Elisabeth Moss? In a sequence that builds in force and power, we see the visual symmetry of June’s two pregnancy climaxes — her heavy breathing, her smiles slipping through screams, the sense of wonder. Snippets of her previous pregnancy continuously creep in. 30 essential albums from the last 30 years. “Holly” follows an unusual structure for “The Handmaid’s Tale”: While the show generally maintains momentum by jumping between story lines in what is, more often than not, a domestic drama, this week’s action takes the form of a simple but intense survival narrative. It’s also possible now that the guardians’ appearance last week was spontaneous. For more The Handmaid's Tale goodness, please read: The 5 things you may have missed in The Handmaid's Tale season 3, episode 10, Witness. June is literally trapped in an abandoned house while going into labor. June began having contractions, but … As Grandma Holly reminds her in a flashback, Offred is stronger than she thinks. Once the Waterfords leave, Offred keeps trying to leave, but the garage door won't budge and the contractions are too strong. Don't worry, our boy Nick lives to loom in doorways another day Unfortunately, the memory gets cut short — someone else has arrived at the house. It is her physical performance that digs the show out of narrative ruts and sells its most unconvincing twists. newspaper archive. The fight only gets uglier and crueler, until Serena finally breaks down — the feelings that have been festering coming out in one pained monologue. Her full-body exhale when they finally drive away suggests relief that she may never have to find out. It’s an incredibly tense sequence, if only because we have no idea where June is; the camera only traces Serena’s movements. When Offred's meeting with her daughter Hannah overruns because of the feels, two guards pull up to the isolated house where it's taking place to investigate. After a season of fighting to remain with her baby, June sends her off to the unknown. “I’m sorry there’s so much pain in this story,” Jane narrates at one point in “Holly.” “But there’s nothing I can do to change it. No, seriously: WTF, June? After all, she did create an entire country just to have one. If you don’t count the flashbacks and voice-overs, all of Offred’s lines in the episode probably add up to fewer than 100 words. The birth scene is primal, powerful — and, through no fault of Moss’s, a bit hard to swallow. She encounters photographs of Hannah, then drawings, and is reminded particularly of a moment she had to leave her daughter for school, sobbing — the pain of separating when she didn’t want to be separated. A few epic screams and there’s little Holly, deposited into Offred’s hands looking relatively clean, after one gargantuan push? WARNING: This article contains spoilers for The Handmaid's Tale season 2, episode 11. But the garage door is locked. June cannot have Nick and Luke and Hannah and Holly and freedom all at once. The Handmaid’s Tale season 2 spoilers: Fans in meltdown. What do you think Nick Blaine is up to this season of The Handmaid's Tale? Though it was a dramatic close, I can't see Nick being exiled or executed. She even gets to the point where she has a clear shot at both of them. Offers may be subject to change without notice. THE HANDMAID'S TALE SEASON 2, EPISODE 12 PROMO.

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